I read a little of “Howe to Writte”
by someone called Blade Walker:
Do not write about yourself,
you might scribble regrettable revelations:
poisonous reflections of venomous memory,
elaborations of fears unfounded,
of solitude without solace.
a goanna, a penguin, and Blade Walker
Previously on Blade Walker: the earth is inhabited by extraterrestrials, and humans are an endangered species. Blade Walker (human) and Alícia (alien) have been freed from mind-controlling insects by an electromagnet in Rick’s scrapyard. The previous episode is here.
Alícia was always herself,
and now I was me again as well,
following my path of faux pas.
But I wasn’t a shallow as I used to be,
because I had a secret.
Blade Walker and the vector mind space
Previously on Blade Walker: the earth is inhabited by extraterrestrials, and humans are an endangered species. Blade Walker (human) and Alícia (alien) have escaped a sinkhole and a swarm of enormous wasps. Now thousands of tiny magnetic insects on their heads are attempting to control them. Here are episodes one, two and three.
The silvery insectile helmet suited Alícia.
“My mind is strong enough to deal with the insects.
Your mind … well, it’s anybody’s guess.
Just try to ignore any foreign desires.”
a sense of sentience
Three irreconcilable pieces.
I’ve spent a lifetime being who I’m not,
yet my stigmata cannot be disguised—
nervous mannerisms, and
a dash of desperation in the eyes.
the realm of Jaci
To be consumed by her freezing flame,
hot as dry ice, an unrenounceable
illiterate desire that drove
my past and drives my future.
All I see, all I hear, all I touch,
all around me is the realm of Jaci.
the Blade Walker runs
Previously on Blade Walker: The earth is inhabited by extraterrestrials, and humans are mostly confined to sanctuaries. Blade Walker and Alícia Arrepio were eating mangoes by a river when a sinkhole opened and spread. Here is the first instalment and here, the second instalment.
A buzzing sound rose
from the newly formed crevasse,
and a swarm of giant wasps emerged.
writing tips
Previously on Blade Walker: Blade Walker and Alícia Arrepio were eating mangoes by a river when a sinkhole opened nearby and a factory disappeared into it.
“When I’m waiting for the bus
at the railway station,
I often wonder what’s hiding
in the ground beneath my feet.
“When I’m walking the dog
with my yo-yo as well.
“Most of the time, actually.”
Alícia nodded.
“You’re human, aren’t you?”
blade walker
The midday insects buzzed in the gum trees,
and invisible heat refracted distant waterfowl.
With the scenery out of the way,
I approached a stranger seated
at the water’s edge.
“I’ve come to warn you.
The river’s flow is orthogonal
between its shores,
and its cloudy blue is beyond
all that is natural.
the show must go on
The clock in the kitchen ticks
inexorably, until the battery’s flat,
undirected, purposeless in time.
Causality suspends us
at the neck
of our hourglass.
the moray
Fragile as a ghost, I drifted
on a moonlit beach
in the Shoal Haven,
oblivious to the obvious.
A message was written in the sand,
cursive, but not by any hand.
The Architecture of the Sea,
a short course on the shore,
taught by a moray eel.
Delfina and the auk
After crossing from Australia with the help of the Von-Bingen reality shifter, Delfina and the protagonist, Pierrot, have arrived in Auckland, the Land of the Great Auks. Meanwhile, the narrator has grown impatient. The previous instalment is here.
While I read the introduction,
a bearded gentleman
with a dodo bird on a leash
strolled past.
“Auckland? I thought we were heading
for the South Island.”
“This reality must be a little different.”
the wildebeest
A bearded wildebeest
blocked my way, dressed
in a handwritten billboard:
The TheRmoDynaMic
ApoCalyPse Is NigH
It WiLl Not Be DeNieD
RePenT By NexT TueSdAy
WeDneSdaY At The LaTesT
the masks of Ra
After midnight, when my inner voice
is whispering in tongues,
I remember that the poets of new thought
are forever in the future.
I never hear what’s said,
only echoes of what isn’t.
~⊕~
efedrina and the imaginable
“What is obvious is misconstrued,
true mysteries are left to the noisy unaware
and the subjectivity of the softly subjunctive.”
Should I venture an opinion?
In Efedrina’s study of terrestrials,
I was merely an experimental subject.
I chose simplicity.
“I’m going to the supermarket.
We’re out of cat food.”
opacity, translucency and Delfina
Delfina and Pierrot are on their way to New Zealand, travelling backwards through time inside a cardboard box that was meant for a fridge. Pierrot became a translucent alien like Delfina when she buried him in sephine. The previous instalment is here.
Delfina explained time travel
à la mode.
“As we travel, our presence creates
new timelines, more realities
in the eternal infinities.
impreteritive
On nights when distant thunder
tore the canvas clouds,
Efedrina’s thoughts drifted far away.
“I miss the bismuth sun
and the overwritten sky.
The Wheel of Metâdia
is always turning.
The fire lilies drift skyward
to herald the summer,
and soft woolen dreams
become fish, fallen
from the winter sky.”