The Purpose of Reality, illustrated short stories and poetry from Meerkat Press. They’ve had some pretty fair reviews from Publishers Weekly and the like. Now available to order on Amazon, and at other outlets. Purchase, review, and other info here.
Location, location, location,
the realtor’s dream of sifting
through the time stream’s rows
of single bed room nights
in the company of shades and shadows,
and never lost in someone else’s thoughts.
Previously on Blade Walker: the earth is inhabited by extraterrestrials, who are minding the planet after humans failed in their duty of care. Blade Walker (human) and Alícia (alien) are having coffee at one of the Café Économique franchises. The first episode is here.
It was all the usual at the Café:
an earthenware urn of tired umbrellas,
sprouting branches and plastic flowers,
tattered pigeons hoping for a snack;
at the other tables, Saurons sipping bluegas,
the odd Solarian, naturally luminous,
and sentient crustacea on a break
from breaking crockery.
Previously on Blade Walker: the earth is inhabited by extraterrestrials, and humans are an endangered species. Blade Walker (human) and Alícia (alien) have been freed from mind-controlling insects by an electromagnet in Rick’s scrapyard. The previous episode is here.
Alícia was always herself,
and now I was me again as well,
following my path of faux pas.
But I wasn’t a shallow as I used to be,
because I had a secret.
Previously on Blade Walker: the earth is inhabited by extraterrestrials, and humans are an endangered species. Blade Walker (human) and Alícia (alien) have escaped a sinkhole and a swarm of enormous wasps. Now thousands of tiny magnetic insects on their heads are attempting to control them. Here are episodes one, two and three.
The silvery insectile helmet suited Alícia.
“My mind is strong enough to deal with the insects.
Your mind … well, it’s anybody’s guess.
Just try to ignore any foreign desires.”
After crossing from Australia with the help of the Von-Bingen reality shifter, Delfina and the protagonist, Pierrot, have arrived in Auckland, the Land of the Great Auks. Meanwhile, the narrator has grown impatient. The previous instalment is here.
While I read the introduction,
a bearded gentleman
with a dodo bird on a leash
“Auckland? I thought we were heading
for the South Island.”
Delfina and the newly-pseudo human known as Pierrot are on their way to Dapto in Delfina’s trans-reality transport, a junkyard Plymouth, which gets from A to B by successively crossing to timelines where the Plymouth is closer to B. The previous episode is here.
The park left us beside a dirt track,
gravel flowed like a river,
the vines covering the Plymouth wilted,
rolling hills rippled and roiled,
eroded into scrubland.
And when the scenery stopped,
we were in Dapto,
in someone’s backyard.
In an unsatisfactory narrative sequence, the forgettable protagonist, who is alone even in his dreams, realized he could hear the motor that turns the universe through timelines. A while later, an apocalypse came along, and the humanoid Delfina told him it would be best if she buried him alive in sephine.
We’d escaped the alien mechanisms,
their aleatoric annihilation of all life,
and reached a stretch of cratered
parkland at the Menai.
Unlike the solitary dreams of sleep, reality is common ground, a place where we share with one another, and intertwine the other kind of dreams: our plans, hopes, and visions for the future. That is the purpose of reality.
My Purpose of Reality books from Meerkat Press, illustrated poetry and short stories, are now available, with pretty fair reviews from Publishers Weekly and the like. Reviews, purchase, and other info here.
When fantasy disappeared from Fênix and everyone left, Sorry, who fell out of the sky with her Subaru, and a possibly undead storyteller, were left behind. She warned him of an imminent electrified dystopia, and they sought sanctuary in Guarapuava. On the way, they saw herds of armadillos ridden by sephine spiders. Part One is here.
Luck was with us when we arrived in Guarapuava:
the world had not yet ended, and by the teary shores of
the Lagoa das Lágrimas, we came across
the Pensive Teahouse, open after midnight.
When the realms of imagination were lost from Fênix, a furtive storyteller and Sorry, who fell out of the sky with her Subaru, were left behind. An electrical dystopia is on the way, and she is taking him to a sanctuary. It turned out that there was more in the sky than anyone expected, and a light rain of dead people has just fallen. Details of the artwork, which is part of the Selfie Exhibition, are given below.
The visitors from Nocturnia, the land
beyond the light of life, milled about
on the road, despite the Subaru’s