Blade Walker’s plan

Previously on Blade Walker: the earth is inhabited by extraterrestrials, who are minding the planet after humans failed in their duty of care. Blade Walker (human) and Alícia (alien) are having coffee at one of the Café Économique franchises. The first episode is here.

It was all the usual at the Café:
an earthenware urn of tired umbrellas,
sprouting branches and plastic flowers,
tattered pigeons hoping for a snack;
at the other tables, Saurons sipping bluegas,
the odd Solarian, naturally luminous,
and sentient crustacea on a break
from breaking crockery.

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a goanna, a penguin, and Blade Walker

Previously on Blade Walker: the earth is inhabited by extraterrestrials, and humans are an endangered species. Blade Walker (human) and Alícia (alien) have been freed from mind-controlling insects by an electromagnet in Rick’s scrapyard. The previous episode is here.

Alícia was always herself,
and now I was me again as well,
following my path of faux pas.
But I wasn’t a shallow as I used to be,
because I had a secret.

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Blade Walker and the vector mind space

Previously on Blade Walker: the earth is inhabited by extraterrestrials, and humans are an endangered species. Blade Walker (human) and Alícia (alien) have escaped a sinkhole and a swarm of enormous wasps. Now thousands of tiny magnetic insects on their heads are attempting to control them. Here are episodes one, two and three.

The silvery insectile helmet suited Alícia.

“My mind is strong enough to deal with the insects.
Your mind … well, it’s anybody’s guess.
Just try to ignore any foreign desires.”

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Delfina and the auk

After crossing from Australia with the help of the Von-Bingen reality shifter, Delfina and the protagonist, Pierrot, have arrived in Auckland, the Land of the Great Auks. Meanwhile, the narrator has grown impatient. The previous instalment is here.

While I read the introduction,
a bearded gentleman
with a dodo bird on a leash
strolled past.

“Auckland? I thought we were heading
for the South Island.”

“This reality must be a little different.”

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the playful invasion

Delfina and the newly-pseudo human known as Pierrot are on their way to Dapto in Delfina’s trans-reality transport, a junkyard Plymouth, which gets from A to B by successively crossing to timelines where the Plymouth is closer to B. The previous episode is here.

The park left us beside a dirt track,
gravel flowed like a river,
the vines covering the Plymouth wilted,
rolling hills rippled and roiled,
eroded into scrubland.

And when the scenery stopped,
we were in Dapto,
in someone’s backyard.

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the furthest sky 2

Click image to view a 50s video excerpt from Ancient Mars II: the Apocalypse.

Lie down beside me
and we’ll gaze at the furthest sky,
where once our dreams were carried aloft
in the updraft, in the flames of our personal fire.

We’ll recall our promises and secrets,
kept and broken, reflections
in a tarnished mirror, bitter lessons
learned too late.

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delfina

In an unsatisfactory narrative sequence, the forgettable protagonist, who is alone even in his dreams, realized he could hear the motor that turns the universe through timelines. A while later, an apocalypse came along, and the humanoid Delfina told him it would be best if she buried him alive in sephine.

We’d escaped the alien mechanisms,
their aleatoric annihilation of all life,
and reached a stretch of cratered
parkland at the Menai.

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the purpose of reality

I have signed up with the magical Meerkat Press to produce a two volume set entitled The Purpose of Reality: Lunar, a collection of poetry, and Solar, a collection of short stories, both with artworks.

The mellifluous Meerkat published the Love Hurts anthology, where my story Jacinta’s Lovers appeared, and it is a great pleasure to work with them again on The Purpose, which will be edited by the talented and thaumaturgical Tricia Reeks.

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concrete and clay

One packed toothpaste and a sewing kit
for essential sutures.

“Space-time, its nature is undeniable,”
(in lieu of a goodbye) and that one headed off
towards tomorrow’s sunrise.

The one indoors was waving from a window.
“Everything may be cleaved in two,
so it is with digital computation.”

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fênix 6: the first night of the ultraviolet forever

suburbs_s

When fantasy disappeared from Fênix and everyone left, Sorry, who fell out of the sky with her Subaru, and a possibly undead storyteller, were left behind. She warned him of an imminent electrified dystopia, and they sought sanctuary in Guarapuava. On the way, they saw herds of armadillos ridden by sephine spiders. Part One is here.

Luck was with us when we arrived in Guarapuava:
the world had not yet ended, and by the teary shores of
the Lagoa das Lágrimas, we came across
the Pensive Teahouse, open after midnight.

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fênix 5: new arrivals

disintegrations_of_icarus_s

When the realms of imagination were lost from Fênix, a furtive storyteller and Sorry, who fell out of the sky with her Subaru, were left behind. An electrical dystopia is on the way, and she is taking him to a sanctuary. It turned out that there was more in the sky than anyone expected, and a light rain of dead people has just fallen. Details of the artwork, which is part of the Selfie Exhibition, are given below.

The visitors from Nocturnia, the land
beyond the light of life, milled about
on the road, despite the Subaru’s
impatient honking.

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fênix 4: afternoon showers

cloud_study

When fantasy was lost from Fênix, the residents fled, but Sorry and an anxious storyteller were left behind. Sorry, formerly known as Madeleine, is possibly an extraterrestrial. She warned that an electrical dystopia was on the way, bringing polarized chaos and wild electricity. The storyteller has agreed to accompany Sorry to a possible sanctuary. Part one is here.

We travelled mostly southward, and through
rust holes in the floor of Sorry’s Subaru,
I watched the gravel bumping past beneath us.

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fênix 3: perspective

Fantasy has been lost from Fênix, swept away by a wave in the ether. Most of the residents have fled, but Sorry and a wanderer were left behind.

The blind storms drifted overhead,
and in a sudden burst of bottled lightning,
Sorry flickered and disappeared.

The two of us had been no more than strangers.
I knew she wasn’t Brazilian, from her stripes,
her rows of sharply pointed teeth,
but I realized that I missed her.

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fênix 2: weepless willows

destabilisation_s2

A wave of cold reality has swept through the township of Fênix and almost everyone has fled. One unlucky person was made to stay behind because their fingerprints were unsatisfactory.

I tell no-one that my thoughts are rain and glass,
frivolous on a foggy day, but I will sit and wait
for isentropic meaning to appear, from within
or from without, and after sleeping,
recollect a question from my dreams.

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