Fragile as a ghost, I drifted
on a moonlit beach
in the Shoal Haven,
oblivious to the obvious.
A message was written in the sand,
cursive, but not by any hand.
The Architecture of the Sea,
a short course on the shore,
taught by a moray eel.
Fragile as a ghost, I drifted
on a moonlit beach
in the Shoal Haven,
oblivious to the obvious.
A message was written in the sand,
cursive, but not by any hand.
The Architecture of the Sea,
a short course on the shore,
taught by a moray eel.
After crossing from Australia with the help of the Von-Bingen reality shifter, Delfina and the protagonist, Pierrot, have arrived in Auckland, the Land of the Great Auks. Meanwhile, the narrator has grown impatient. The previous instalment is here.
While I read the introduction,
a bearded gentleman
with a dodo bird on a leash
strolled past.
“Auckland? I thought we were heading
for the South Island.”
“This reality must be a little different.”
Delfina and Pierrot are on their way to New Zealand, travelling backwards through time inside a cardboard box that was meant for a fridge. Pierrot became a translucent alien like Delfina when she buried him in sephine. The previous instalment is here.
Delfina explained time travel
à la mode.
“As we travel, our presence creates
new timelines, more realities
in the eternal infinities.
On nights when distant thunder
tore the canvas clouds,
Efedrina’s thoughts drifted far away.
“I miss the bismuth sun
and the overwritten sky.
The Wheel of Metâdia
is always turning.
The fire lilies drift skyward
to herald the summer,
and soft woolen dreams
become fish, fallen
from the winter sky.”
Light. A remnant from the birth
of the universe is sneaking
through the glass.
Birds. They called each other,
chirping more quickly
than they should,
a sense of urgency
because the world
is ending.
Me. In a cold bed, taking notes
in shorthand, or possibly Klingon.
More about Ablative Promenade I here.
More about Ablative Promenade II here. The Promenades are best viewed in VHD or UHD full screen, and they have soundtracks.
A while back, I thought that Ether was the luminiferous and invisible substance that filled all of the universe, and my idea of cryptic currency dealings was putting a coin in a machine, pressing buttons, and no cup of coffee appearing. Now I think that non-fungible tokens (NFTs) might be edible if you cook them with pasta.