The skyward myths, the poppy-field poets, have vanished, the inexpressible has evanesced above the tar pits like the long-lost Brachiosauridae, and in the cities, all that’s left is Amazon and online dreams.
Beyond the glass, the water birds are gliding on the rails of rain, and, for a moment, their distant pattering melody recalls a semblance of another chance at hopefulness—even with the knowing that it’s far too late for all of that.
Previously on Blade Walker: the earth is inhabited by extraterrestrials, who are minding the planet after humans failed in their duty of care. Blade Walker (human) and Alícia (alien) are having coffee at one of the Café Économique franchises. The first episode is here.
It was all the usual at the Café:
an earthenware urn of tired umbrellas,
sprouting branches and plastic flowers,
tattered pigeons hoping for a snack;
at the other tables, Saurons sipping bluegas,
the odd Solarian, naturally luminous,
and sentient crustacea on a break
from breaking crockery.
Previously on Blade Walker: the earth is inhabited by extraterrestrials, and humans are an endangered species. Blade Walker (human) and Alícia (alien) have been freed from mind-controlling insects by an electromagnet in Rick’s scrapyard. The previous episode is here.
Alícia was always herself,
and now I was me again as well,
following my path of faux pas.
But I wasn’t a shallow as I used to be,
because I had a secret.
After crossing from Australia with the help of the Von-Bingen reality shifter, Delfina and the protagonist, Pierrot, have arrived in Auckland, the Land of the Great Auks. Meanwhile, the narrator has grown impatient. The previous instalment is here.
While I read the introduction,
a bearded gentleman
with a dodo bird on a leash
“Auckland? I thought we were heading
for the South Island.”
Delfina and Pierrot are on their way to New Zealand, travelling backwards through time inside a cardboard box that was meant for a fridge. Pierrot became a translucent alien like Delfina when she buried him in sephine. The previous instalment is here.
Delfina explained time travel
à la mode.
“As we travel, our presence creates
new timelines, more realities
in the eternal infinities.
On nights when distant thunder
tore the canvas clouds,
Efedrina’s thoughts drifted far away.
“I miss the bismuth sun
and the overwritten sky.
The Wheel of Metâdia
is always turning.
The fire lilies drift skyward
to herald the summer,
and soft woolen dreams
become fish, fallen
from the winter sky.”
Delfina and Pierrot have decided to forgo the pleasures of Dapto, which has been barbecued by the Martian Battle Fleet, and visit New Zealand instead. Delfina has selected a large flattened cardboard box to transport them with the Von Bingen Drive. The previous episode is here.
Technical Note: the Von Bingen shifts travelers to successive alternate timelines where they are closer to their chosen destination.
“Sit down beside me,
I’ll explain how this works
on the way.
Previously on Delfina: to escape the apocalypse, the unnamed protagonist allowed himself to be buried in sephine, and became somewhat translucent. He went with Delfina to the Menai, where they found her trans-reality cruiser, a junkyard Plymouth Satellite. The previous episode is here.
Delfina was in the driver’s seat.
“Do you have a name?”
Apparently, Delfina didn’t know everything.
“My name is unimportant,”
I sighed, “It gives me no pleasure,
and I’ve found no consolation in living.
I serve no purpose in the world,
and I’ve noticed that the Plymouth
has no wheels, for steering