While I was washing roses by the gate
with a dash of liquid Omo on a toothbrush,
fish-heads came to mind,
and I began a metaphysical meander
with just the two of us: my neighbor’s cat and I.
Two chords for self-taught breathing,
causality’s unwound tidal oscillations,
nor birds nor raindrops nor Pangaea:
everyone is waiting for a doorway in the wind,
feather-dusting the furniture for departure.
Proteus is a prototype human (beta release) living in Gondwanaland in the Jurassic era. Part one is here.
As it happened, Proteus could not speak with sounds:
when he opened his mouth and set his throat to vibrate,
glowing bubbles, leafy baubles, necklaced seeds,
a myriad of elemental protozoan shapes,
floated from his lips, sparking, drifting through the trees.
In Omégaville, humans and other lifeforms are misbehaving. Instead of chasing each other or watching tv, they’re climbing upward as best they can and occasionally howling at the moon. The local government representative advised that action (unspecified) would be taken. The first part is here.
A committee in the hollow halls of government
met in secret and agreed in unanimity
that every living creature in Omégaville
was unnatural, illegal,*
and with surprising prescience,
most likely dangerous.
The normal dimensions vanished long ago,
and except for secrets covered in a skin
of words, we were left with only three.
Under every door in Marimbondo,
a letter of demand appeared, stamped
By hydraulic decree, the Itaipu
catchment will expand.
Marimbondo will be submerged
and you must leave.
You’ll be rehoused in tents at Alta Vista.
While forests of rain
are tumbling from the clouds,
From each exhaled breath,
swarms of insects, transparent to opaque,
spiral fluttering, butterflies to birds
to armadillo exhalations.
And soon there will be humans
in the aisles of nature’s
In a flurry of her own creations,
the goddess wakes.
I will not take that path again.
An arid future in a waterless world,
where all our understanding wavers
on a bridge to whiteness.
We are replicants in the land
of nothing new, and the westerlies,
hot and dry, are blowing away the children.
As they fall, we fall.
Many things, amongst them, Martians,
are allegorically immune,
just and only themselves.
What might now be learned?
Shall we hang our knowledge bright
on wooden poles, defiant glows beneath the arc
of Google Sky?
When the ladybugs conquered my kitchen
their ultimatum made reference to aphids and fleas,
and so with the Martians—a hunger for
In the photocopied forest,
where origami birds shed origami feathers,
where duplicates with papered eyes
riffle through the files of our dreaming,
where carbon copied life is rampant,
Rosalyn shows me a quick start guide
for human prototypes,
their care and feeding, how to keep them far
from wheels and fire,
and recirculant mechanics.
Our bonsai minds are caged and shaped,
replicas in miniature of something greater:
trains, the sky, and lightning.
Orchards and orchids, the air is filled with contagious scents,
and the colorblind angels of dreams
with wings of red and green are fluttering
around aspiring nectar.
Spring fish are hopping, sparrows are pecking at the carpet,
and I don’t mind that my mailbox is filled with ashes.
It’s mother nature. But if I poetize about her
that will be me, and nothing to do with her.