While forests of rain
are tumbling from the clouds,
she sleeps.
From each exhaled breath,
swarms of insects, transparent to opaque,
spiral fluttering, butterflies to birds
inflating,
to armadillo exhalations.
And soon there will be humans
in the aisles of nature’s
megastore.
In a flurry of her own creations,
the goddess wakes.
I will not take that path again.
An arid future in a waterless world,
where all our understanding wavers
on a bridge to whiteness.
We are replicants in the land
of nothing new, and the westerlies,
hot and dry, are blowing away the children.
As they fall, we fall.
In the photocopied forest,
where origami birds shed origami feathers,
where duplicates with papered eyes
riffle through the files of our dreaming,
where carbon copied life is rampant,
Rosalyn shows me a quick start guide
for human prototypes,
their care and feeding, how to keep them far
from wheels and fire,
thermodynamics
and recirculant mechanics.
Our bonsai minds are caged and shaped,
replicas in miniature of something greater:
trains, the sky, and lightning.
Orchards and orchids, the air is filled with contagious scents,
and the colorblind angels of dreams
with wings of red and green are fluttering
around aspiring nectar.
Spring fish are hopping, sparrows are pecking at the carpet,
and I don’t mind that my mailbox is filled with ashes.
It’s mother nature. But if I poetize about her,
that will be me, and nothing to do with her.