Previously on Darklight: a traveller, the railway guard Anélia, and the Ibid Bird, have come to the Inverse Realms, where time runs backwards. They found Selena there, and she has revealed that the meeting is her first encounter with the traveller. For her, their time together hasn’t happened yet, it is in her future. Episode one is here.
I was moderately despondent. My odyssey
had finished in a self-referential loop,
my time spent with Selena had caused itself.
Previously on Darklight: a traveller accompanied by a pseudo-bird finally reached Lunar Central Station on the moon. The guard at the gate asked him to talk about himself, and he spoke about his writing, a story he’d written about Selena. The guard was unimpressed, and targeted him with a multifunctional weapon. Episode one is here.
No-one ever wanted me to talk about myself.
What did she expect?
I was always Sunday’s dreary ghost,
wandering the rain-washed streets,
with the ashes of my fantasies
falling in my mind.
Still, I had to try.
Hidden behind history and fantasy, eventualities
bide their time; the rest is unremarkable preamble.
Ideas at mental central station
came and went, sailing carriages
on rails, propelled by fickle winds.
I might go here or there, I thought,
and didn’t wonder whose ideas they were,
or whether I should borrow them.
Previously on the rewound world: at a café in the Nullarbor Plain, four post-apocalyptic travelers were transmuted into two, Autónomo and Primaverity, by the insignificantly bearded waiter. The first episode is here.
We bid the waiter farewell, thanked him
out of misguided courtesy, and he returned
our diary, responsibly accepted
Previously on the rewound world: four travelers, including yours truly, stopped for a break at a café in the post-apocalyptic Nullarbor Plain. The ancient waiter agreed to serve us credit cards, and in exchange, we allowed him to discuss the weather. The first episode is here.
The waiter shuffled and dealt
the credit cards face down.
I had two pairs, both noble metals,
and a poker face revealing nothing.
Previously on the rewound world: noble Deirdre, overclocked Ada, angel-phobic Paulo, and the irrelevant John P and I were crossing the Nullarbor plain seeking a bright earthstar (not the fungus), with little action and a lot of reminiscing. The first episode is here.
We walked beside the sunset to where
our newer dreams were waiting,
and Ada shared a little deprecated data.
Although they didn’t play any instruments, a band of post-apocalyptic travellers was crossing the Nullarbor plain. On a lunch break, one of them, the humorless John Person, addressed my alternate. The first episode is here.
You’re a quiet one.
I nodded, and while Ada told her story,
I thought about epoxy resin,
Araldite in two parts, one of which
was always empty first.
The first episode was set two weeks ago in the future Nullarbor Plain. Cassette players, deceased goannas, and kookaburras were not mentioned. Written in the past, it dealt with present-day reminiscences in the apocalyptic future. The wind was blowing, water was scarce, and nothing happened. Episode 2 is similar.
Words arise from other words, a twisting,
an entanglement that never completes itself.
Thoughts I’ve disinterred I recite with fake solemnity.
The kookas on the clothesline emit embarrassed laughs
and find the sky.
reductio ad absurdum
Oh Deija, if you ever were, if you ever were right now,
would my words mean anything? I cannot speak
your mother tongue:
the language of the undimensioned realms,
your modality of erasure,
from a time when words were silent.
The air is curdled and afraid, stinging in my throat.
I fall asleep, return to fantasy that once was truth,
tumble to the world where Moorcock’s misplaced
Their flickering uncertainty illuminates the overgrowing vines,
and they bleed their forlorn magic to the earth,
creating lesser mammals that frolic for a moment
in a second dawn.
Violeta’s sweeping up the windy sand the sea
has left behind. She sees the dried and frail feathers
of what once had flown on seagull wings,
and now at rest, is thinking:
In my pseudo stasis, I have no purpose,
my birdful thoughts are beakless now,
but a splash of SA30 motor oil and I’d be
scrabbling on the beach.
When fantasy disappeared from Fênix and everyone left, Sorry, who fell out of the sky with her Subaru, and a possibly undead storyteller, were left behind. She warned him of an imminent electrified dystopia, and they sought sanctuary in Guarapuava. On the way, they saw herds of armadillos ridden by sephine spiders. Part One is here.
Luck was with us when we arrived in Guarapuava:
the world had not yet ended, and by the teary shores of
the Lagoa das Lágrimas, we came across
the Pensive Teahouse, open after midnight.
When the realms of imagination were lost from Fênix, a furtive storyteller and Sorry, who fell out of the sky with her Subaru, were left behind. An electrical dystopia is on the way, and she is taking him to a sanctuary. It turned out that there was more in the sky than anyone expected, and a light rain of dead people has just fallen. Details of the artwork, which is part of the Selfie Exhibition, are given below.
The visitors from Nocturnia, the land
beyond the light of life, milled about
on the road, despite the Subaru’s
The Selfie Exhibition will run at the tenfortyseven creative space in Sydney from May 11 to May 26 (details below). I am interluding from the fênix serial with some selfie portraiture, old and new.
sky blue air
I seek a sunlit place where I might breathe again.
It lies beyond the end of my imagination,
and before the incomprehensible begins.
Fantasy has been lost from Fênix, swept away by a wave in the ether. Most of the residents have fled, but Sorry and a wanderer were left behind.
The blind storms drifted overhead,
and in a sudden burst of bottled lightning,
Sorry flickered and disappeared.
The two of us had been no more than strangers.
I knew she wasn’t Brazilian, from her stripes,
her rows of sharply pointed teeth,
but I realized that I missed her.
The ether wave swept through and swept away
intangible imaginings: shimmers from the overworld,
refractions risen from the subterrain,
and the sephine webs connecting them.
When the wave had passed, the town of Fênix
was no longer cloaked in mystery and fantasy,
only naked objectivity remained,
a brutal realism that no-one could withstand.