Inconstant light will be updating once per month from today, rather than once every three weeks. The reasons for this relate to the persistence of reality. It has nothing to do with the wood ducks, so they tell me.
What are you writing?
Come on, let me see.
When Eloise left, she took most
of the crow in the fridge, just left the bones
and the beaks for me, but I didn’t care—
they were always my favorite bits.
Classrooms buried underground,
a breath, a cough, a teacher,
where every window was a riddle
and we were mute behind the glass,
where the chord of chords still sounded
from each bell to the last.
I was frail paper with pencilled veins,
a helpless diorama, a divide by zero,
an overflow and underflow,
a distillation of reticence and fear,
listening for the silent voice.
On days when stormy ink is in the air
and the atmosphere is virtual,
precautions must be taken.
If the downpour seeks the sea
by way of dimpled rivers,
an umbrella or a rowboat will be fine.
Friday night at the Ghostery on Relentable Drive,
and a whirl of leaves blew in,
took my vaguely personal shape.
like to do their ghosting,
whispering and wispy pale,
but I don’t play that game,
I’m as solid as a memory
of a memory.
Microscopic particles of time
rain upon our lives.
Paper promises grow brittle,
mapped forgiveness folds, unfolds,
frays and tears along the creases.
Our memories refract through prisms
until the brightest day is lost
in anesthetic runes.
I heard a motor revving in the carport,
and from my gate,
I watched my Kia Starfish drive away,
with the spindly legged carport
I sleep beneath the tire marks
on roads of eggshell bones,
carried by the bubble birds
in their serrated beaks from caves
where rainy pebbles fall,
clattering on my roof, taking fluid forms.
I was painting my house with Dulux
when a whirlpool wind came calling.
It was fleeing from the west,
from particulate mirages and miracles of water.
My phone politely starts my Sunday:
Good morning human,
your mission is to find out
whether purpose matters.
Where subdivided paths marked
I saw enough to know
the truth of almost nothing.
Where falling cartoon clocks shattered
into bells and spiral springs,
I waited for a gentle sound.
Where graduated tick marks
switched the traffic lights,
I stopped to contemplate my lies.
I wrote a kookaburra
perching on a paling fence
motionless in the rain,
sharp eyed waiting for a worm,
but the words left worm impressions
as shallow as my florid thoughts,
washed away by the garden sprinkler.
It was once a loud industrial location,
but now it’s slightly damp: Venusian squid
with brollies promenade in the quiet streets
while humans pass their time
overpainting all their windows.
on an unremarkable planet
Contessa Isabela fluttered a manicured hand.
Divers divas and devices,
glorified in dullness.
I crave novelty.
We’ll send someone to Planet Sauria
whence no-one has returned.
We might get lucky this time.
plagiarism on a beach in france
I’ve imaginated death:
dark rivers, darker seas,
the luminiferous earth,
growing to that darkness
in headlong blind embrace.
I share my thoughts with Joana.
Oh how you’ve changed, amor.
The city is to blame,
its exhumations and exhalations,
obsidian and glass.
It starts with fire and ends with rain,
zero is infinity
and my home
is filled with strangers,
yet their strangeness is not reciprocal.
worth the special introductory
price of free.
The scientist Irene in white
peered over her half-moons.
Let’s apply a little logic: if everything
is worthless, so is that idea.
Come with me to Improbable Park.
… meet the zeroth law of motion.
We’re dropping out of hyper now
into normal space,
the words of Azulinha, the fluidic pilot,
flashed inside my head,
and don’t touch that,
it’s not a percolator.
Soon there’d be no more
chromatic thought transference—
empathic rivers of the gaseous mind.
It would all be stuttering and stumbling
with optics and acoustics
on the surface of the planet.
There’s something unfortunate about seven a.m.,
when the dreams of worlds that might have been
ascend into the vanishment.
As I traveled the Redfern Rail one night,
through tunnels that smelled of soot and ghosts of steam,
I chatted with a stranger. Her auburn hair was wound
with a golden asp, and she told me this:
Your mind’s your own, to do with as you will.
I saved mine for special occasions,
believed in pixels and maquillage,
bowed and chanted to great Osiris,
but I know better now.
There is a place where all imagination ends.
There is a frontier beyond which
nothing is comprehensible.
Who will tell me what lies in between?
Diurnal hours on planet earth
It’s as if I’m alive, I’m almost sure.
Strangers know me at the supermarket,
even family knock and peer through windows,
ask me why I wasn’t where I should have been
by rote and custom.
Yet I know when I awaken every day,
I’m here for the very first time.
She’s putting on her armor just before the sun up,
with a snap of latches, and the buzz of her
In the far field, stuttering unsteadiness,
in the near field, delicate slivers of glass.
He knows that he is not himself, someone else
inside authoritates the wine list
and whispers to the pillow:
a loquacious tropical parrot will emerge
and leave a chrysalis remainder.
In my mind I’m in a granite tower, fog and raindrops,
lichen and moss. The sea above its maritime level
is scattered and forgetful, tiny fish have fins
for swimming and for flight.
I chose a basement cavern and pretense,
Martyrdom Lite with a flower,
I curled on the runway where interstellar flights were landing
and bathed in temporal trickles,
lacking seriousness and gravitation,
factualising while my compass spun.
The planet’s hold had waned,
Newton’s fruit was drifting to the West
and ripening, yet I remained
while those around me rose.