in the bilight
A pilgrim is journeying to Port Botany in search of coffee or a revelation, and the Spherical Polar Spirits, Altitude and Ascension, are helping him along with a little tough electric love. Part 1 is here.
Swerving water, a long slow
crash of breakers on the land,
as I journeyed in the minutes
of the bilight, when the sun
was yielding to the rise and stutter
of the streetlamps,
their denatured spectral substitution.
In the west, two rivers merge,
the flows of past and future mingle
with the guests, a meet and greet.
From the shore, in a certain quality of light,
you may glimpse a flight in grey,
a moving blueprint, a system of soft levers.
(Voice over) Previously on Solar Disenchantment: a hamster or an acquaintance of Deija Thoris has parachuted from a bus and landed on a minigolf course, where he will attend a conference in a normal-size hotel. The unrelated first part is here.
The conference venue was virtual de luxo,
with non-removable coat hangers
and a sparkling mineral spa,
all a-bubble with sulphuretted hydrogen,
widely recommended as a curative
for common floral ailments.
Lately yesterday, lost in thoughts
of solar unattainment, I met the windwalkers,
copper blood and lightning’s megahertz whispers.
An intergalactic basket, delivered to the wrong address,
a three much like an eight,
turned out to be a hamster who used to be a synonym,
five parts fantasy, each alone and falling.
Night and day were mid-grey corridors
and everyone was bees and ants,
exchanges without and never within,
until people started vanishing in pairs,
a magician’s trick without a trapdoor.
Nominal leaders declared there was no need to worry:
statistically, you might be fine;
and hermits were in the headlines,
flashlit in their sorry caves.
Friday night at the Ghostery on Relentable Drive,
and a whirl of leaves blew in,
took my vaguely personal shape.
Talcum-powdered others
like to do their ghosting,
whispering and wispy pale,
but I don’t play that game,
I’m as solid as a memory
of a memory.
Microscopic particles of time
rain upon our lives.
Paper promises grow brittle,
mapped forgiveness folds, unfolds,
frays and tears along the creases.
Our memories refract through prisms
until the brightest day is lost
in anesthetic runes.
~/~
I heard a motor revving in the carport,
and from my gate,
I watched my Kia Starfish drive away,
with the spindly legged carport
galloping behind.
Someone in a Chrysler Valiant driving along the Botany Bay shoreline has picked up a couple of skeletal hitchhikers who have come from the sea. The first part is here.
We are Sam and Sammy,
please drive us to the West,
to invoices and wheat fields,
where desiccants and accountancy abound,
and everything is warm and flocculant.
Isabela, leader of the infernal army from Omégaville and winner of the Succubus of the Year Award, has been interviewed by a panel of celebrities, and now she’s having a little ‘me’ time. Part one is here.
Another bar, on a rooftop
far beneath the overworld,
another tissue paper town,
another rooster tail or two.
Isabela was staring down the unrepentant butterfly,
while I was writing up her interview.
Led by Isabela, the underworld army from Omégaville has marched across the land. Isabela has won the coveted Succubus of the Year Award and is about to be interviewed on the Tonight Tonight Show. Part 1 is here.
Four wise media personalities filed onto the set,
wearing numbered T-shirts.
Number one took a sip of water,
cleared her throat, and began.
Through the magic of fiction, all lifeforms in Omégaville have been transformed into creatures of the underworld. They are miffed because the military’s missiles incinerated their township. Part 1 is here.
I’d never really liked my neighbor, Maria Isabela,
endlessly complaining about my midnight bagpipes,
until she became a succubus with eyes
like sinful turn signals, flashing left and right,
and hazardous.
The normal dimensions vanished long ago,
and except for secrets covered in a skin
of words, we were left with only three.
~/~
Under every door in Marimbondo,
a letter of demand appeared, stamped
and indisputable.
By hydraulic decree, the Itaipu
catchment will expand.
Marimbondo will be submerged
and you must leave.
You’ll be rehoused in tents at Alta Vista.
At the Café Économique,
they serve one class of patron,
one strength of resteamed coffee grounds,
a minor bird is hopping on a plastic olive branch
and a mangy city cat is watching.
I’m seated at a likeness of a table
reading faded scrawls on a communal
paper napkin.
The detective and his client continue their post-apocalyptic search for what lies beyond the obvious sea. For implausible reasons, the detective wrote a fantasy of his own death in his diary which he passed to his client, who is now keeping a record of their journey. The Detective started off here.
It was no-one’s fault, not his nor mine;
even the bivalves weren’t to blame.
They have capabilities beyond
our human constructs
yet they’re living creatures,
borne below and risen
from deep within the earth.
A detective and his client journey through the post-apocalypse, seeking what lies beyond the obvious sea. Here is part 1.
We walk for hours towards a hidden horizon
where the distant bivalves are silvery phantoms,
photoluminescent contradictions
in the darkness.
My client has her axolotl armaments,
and I might be brave, but I’m myself—
a frightened woodland creature
seeking refuge from the restless night.
She makes a stop sign with her hand,
although it’s not hexagonal.
Over there a building stands.
We’ll rest until the daylight.
In a post-apocalyptic world, a detective and his client seek to discover what lies beyond the obvious sea. Part 1 and part 2 already happened.
I follow her, wander through
the ravaged landscape
searching for her dream, a fantasy
from long ago.
At dusk, we reach a silent square
of broken swings and slippery dips,
of roundabouts and culs-de-sac,
where all the fallen houses
are numbered zero.
