“There are only seven kinds of people.”
That’s the type of thing you will hear
if you listen to the oscillographic media.
Maria, whom I rarely listened to, continued.
In truth, people are entropy:
disorder and information. The closer
you look, the more you see.
Classrooms buried underground,
a breath, a cough, a teacher,
where every window was a riddle
and we were mute behind the glass,
where the chord of chords still sounded
from each bell to the last.
I was frail paper with pencilled veins,
a helpless diorama, a divide by zero,
an overflow and underflow,
a distillation of reticence and fear,
listening for the silent voice.
Friday night at the Ghostery on Relentable Drive,
and a whirl of leaves blew in,
took my vaguely personal shape.
like to do their ghosting,
whispering and wispy pale,
but I don’t play that game,
I’m as solid as a memory
of a memory.
I didn’t pay the bills electric,
now no lights electric,
just a fluid glimmer—
the ghosts from yesterday
illuminate my ectoplasmic reading.
Outside a spinning wind is rising,
furrowing the earth and sky,
and on the far horizon, mechanical invaders
with razored paddle wheels
scalpel air to vortices,
curling slinkies that cannot be
A thunderstorm’s approaching underground.
Along the shore, waves of sand
competing with the ocean,
from ancient graveyards ghosts will float
into the world, freed from roiling earth,
to the weather forecast
and I prepare our breakfast:
spinach, pastry, thoughts of eggs,
peel a purple onion, layer after layer,
until just the memory of an onion’s left.
I live in a house on Inconstant
Street, with weeds for a garden
and shutters that always stay shut.
I know for a fact that the world is
my oyster—it’s glued to a rock
and I can’t prise it open.
Penny Lope left a note in everyone’s mail,
an invite to a party to be held
in the street. But I didn’t get one,
so I asked her the reason.