Classrooms buried underground,
a breath, a cough, a teacher,
where every window was a riddle
and we were mute behind the glass,
where the chord of chords still sounded
from each bell to the last.
I was frail paper with pencilled veins,
a helpless diorama, a divide by zero,
an overflow and underflow,
a distillation of reticence and fear,
listening for the silent voice.
After meeting with an apparent monk who painted the windscreen of his Vauxhall with seagulls, a motorist has morphed into a pedestrian on a pilgrimage. Part 1 is here.
For me, no peak modernity, no dream of
orbital ecliptics, no F-sharp metal on my tongue,
I’d been summoned to Port Botany,
where flightless cranes raise riveted beaks,
bow and curtsy in their dainty dances,
where cirrus kerosene streaks the flammable sky,
and I might find a natural ellipsis,
a powdered hesitation by the sea.