Previously on Blade Walker: the earth is inhabited by extraterrestrials, and humans are an endangered species. Blade Walker (human) and Alícia (alien) have escaped a sinkhole and a swarm of enormous wasps. Now thousands of tiny magnetic insects on their heads are attempting to control them. Here are episodes one, two and three.
The silvery insectile helmet suited Alícia.
“My mind is strong enough to deal with the insects.
Your mind … well, it’s anybody’s guess.
Just try to ignore any foreign desires.”
After crossing from Australia with the help of the Von-Bingen reality shifter, Delfina and the protagonist, Pierrot, have arrived in Auckland, the Land of the Great Auks. Meanwhile, the narrator has grown impatient. The previous instalment is here.
While I read the introduction,
a bearded gentleman
with a dodo bird on a leash
“Auckland? I thought we were heading
for the South Island.”
Delfina and Pierrot are on their way to New Zealand, travelling backwards through time inside a cardboard box that was meant for a fridge. Pierrot became a translucent alien like Delfina when she buried him in sephine. The previous instalment is here.
Delfina explained time travel
à la mode.
“As we travel, our presence creates
new timelines, more realities
in the eternal infinities.
Previously on Delfina: Pierrot and Delfina are stuck in Dapto, and to make matters slightly worse, Deija, the Martian Princess of Glass, has arrived with her battle fleet, armed with infrared energy weapons. They’re burning Dapto to the ground. Meanwhile, Delfina is chatting on the phone in a foreign language. The previous episode is here.
She turned to me.
“That was Deija. She’s apologised
and invited us to her Dapto castle-warming
Delfina and the newly-pseudo human known as Pierrot are on their way to Dapto in Delfina’s trans-reality transport, a junkyard Plymouth, which gets from A to B by successively crossing to timelines where the Plymouth is closer to B. The previous episode is here.
The park left us beside a dirt track,
gravel flowed like a river,
the vines covering the Plymouth wilted,
rolling hills rippled and roiled,
eroded into scrubland.
And when the scenery stopped,
we were in Dapto,
in someone’s backyard.
In an unsatisfactory narrative sequence, the forgettable protagonist, who is alone even in his dreams, realized he could hear the motor that turns the universe through timelines. A while later, an apocalypse came along, and the humanoid Delfina told him it would be best if she buried him alive in sephine.
We’d escaped the alien mechanisms,
their aleatoric annihilation of all life,
and reached a stretch of cratered
parkland at the Menai.