Although they didn’t play any instruments, a band of post-apocalyptic travellers was crossing the Nullarbor plain. On a lunch break, one of them, the humorless John Person, addressed my alternate. The first episode is here.
You’re a quiet one.
I nodded, and while Ada told her story,
I thought about epoxy resin,
Araldite in two parts, one of which
was always empty first.
Thought bubbles must be punctured gently,
deflated with a fine molecular needle.
She lets me do the shopping at the markets,
the hens are in my charge, I sweep the floors,
but I’m a prisoner in her house.
On the crooked kitchen shelving, potions bright,
alluring clues, magic herbs and condiments.
To prepare Bahian fish, she says.
Her eyes are jungle camouflage, her tidal laughter
breaks in waves when nothing is amusing,
mysteries are woven in her hair.
Do spaces matter without context?
Atoms to cells to Wilma to planets
and beyond more empty spaces.
All might be forgiven today,
prescriptive facts unfaced,
turned to continuous movement
in a land of distant windmills.
In a daydream I attended
an exponential function
hosted by his eminence,
the summit of his self creation;
close acquaintances only, commonality
reassured in glyphic communication.
His hacienda was mostly atria,
potted green, and rain washed
marble chessboards where gardeners
wearing chefs’ hats offered fertilizer
I’ve breathed the air chirped by sparrows,
critically appraised everything
I didn’t understand,
searched for magica potenta
in urban mysteries, shaded quantum clouds,
on bedroom ceilings, and found echidna quills,
kookaburra beaks, sobriety, all the words
I didn’t want to write.
Three knocks at the door-to-door,
I said I don’t want any, thank you,
not knowing what I didn’t desire.