Previously on Delfina: Pierrot and Delfina are stuck in Dapto, and to make matters slightly worse, Deija, the Martian Princess of Glass, has arrived with her battle fleet, armed with infrared energy weapons. They’re burning Dapto to the ground. Meanwhile, Delfina is chatting on the phone in a foreign language. The previous episode is here.
She turned to me.
“That was Deija. She’s apologised
and invited us to her Dapto castle-warming
Someone in a Chrysler Valiant driving along the Botany Bay shoreline has picked up a couple of skeletal hitchhikers who have come from the sea. The first part is here.
We are Sam and Sammy,
please drive us to the West,
to invoices and wheat fields,
where desiccants and accountancy abound,
and everything is warm and flocculant.
I sleep beneath the tire marks
on roads of eggshell bones,
carried by the bubble birds
in their serrated beaks from caves
where rainy pebbles fall,
clattering on my roof, taking fluid forms.
I was painting my house with Dulux
when a whirlpool wind came calling.
It was fleeing from the west,
from particulate mirages and miracles of water.
in the pavlova recipe
Sorry, I have to take this,
the pavlova says. The microwave
is ringing and they speak together in whispers.
Down by the seas of roads and rails—tarmacs lined
with dashes on the runways to the shallows—
the metropolitan trains approach a nexus
where all begins and ends.
Once my life was stippled on those waters
and broken on those shores.
Through the window, washes
on a watercolor planet,
rainy autumn shades in spring, and
in the early evening, scattered photon showers
are forecast, a luminous return of light
from the shadow sun.
Indoors there are smaller mysteries,
trailing motes in negative space—
leaving lamps and bulbs,
domesticities and peripherals,
drawn out between the curtains
to the shadow sun.
We’re squeezed like toothpaste into wires,
an atmospheric phantom network
bouncing off the sea bed and the sky,
and if we don’t pay the bills:
discontinuities in reality.
They’re deep, best not to fall in.
I remember burning forests in the wind
when the air was thick as a roast chicken smoothie,
when nature, lightning and amino acids
made single cells in starter packs,
ever changing, revisable.
But now each heart is pizza sliced in four quaternions,
one alone, the other three—
an irresolvable triangle of love.
The rail clatters its rhythms but the carriages never move.
They’re always here, and through a frame, a door,
a window, a hole cut in a rainy mirror,
you can see them waiting.
Telma was painting the feature wall
with essence of vanilla. Joanne was reading
a possible book, perhaps the persistence of trains,
or a painting, the persimmonence of time.
She’d need her glasses to be sure.
He stood at the door with a forlorn smile
and a hand-drawn mustache—
a comically tragic pastiche wearing
nothing but tennis shorts and socks.
My name is Rodney, might I
I know who you are. You see
my name is Rodney as well.