When the realms of imagination were lost from Fênix, a furtive storyteller and Sorry, who fell out of the sky with her Subaru, were left behind. An electrical dystopia is on the way, and she is taking him to a sanctuary. It turned out that there was more in the sky than anyone expected, and a light rain of dead people has just fallen. Details of the artwork, which is part of the Selfie Exhibition, are given below.
The visitors from Nocturnia, the land
beyond the light of life, milled about
on the road, despite the Subaru’s
This discussion of infinite time and its consequences came about because a character in the story Lighter than Claire suggested (not literally) that it might be worth writing something on the topic.
In the 16th and 17th centuries, the vanitas, or vanity, art style carried the religious reminder that life is temporary—mostly everyone dies. Nevertheless, concepts of living forever, life after life, and life after death have been around for a long time, in many religions as well as in fiction. While some people are quite keen on one afterlife possibility or another, others, like Richard Dawkins,¹ would prefer to simply stay dead after they die. Continue reading →
‘Lighter than Claire’ has appeared in the summer (north of the equator) edition of the Colored Lens and is available at Amazon. It’s also freely available online. The story has various sources—a plate of pasta, ‘Mambo Italiano’ by Flabby and Carla Boni (playing while I was writing), Philip K. Dick’s “A Scanner Darkly,” and the evolution of the species, at least the way it works in my imagination.¹ Continue reading →